Common Grounds

Awakenings, Collage
Awakenings, Collage

A thousand and one life (Indigo)

Kavata Mbiti Peitschenhiebe Tusche Zeichnung Performance drawing ink wall Künstlerhaus Bethanien Berlin 2020
Thousand and one life, ink on wall, 3x10m, 2020

Falkenrot Preis Berlin 2020

View Falkenrotpreis Künstlerhaus Bethanien, 2020
View Falkenrotpreis Künstlerhaus Bethanien, 2020


Kavata Mbiti Skulptur Skulpturenpark Waldfrieden Wuppertal
Halt, 2,5x3,5m, wood, 2020
Kavata Mbiti, Skulpturenpark Waldfrieden, Wuppertal, Cragg Foundation, Skulptur, Habitat
View Habitat, Skulpturenpark Waldfrieden, Wuppertal 2019
Höhen und Tiefen im Freien Fall, wood and wax, 2019
Höhen und Tiefen im Freien Fall, wood and wax, 2019

In her works Kavata Mbiti scrutinizes what constitutes reality and continually attempts to shake the foundations of our understanding of what is real and true.

In the case of Höhen und Tiefen im Freien Fall the wood has been painted and then finished with wax. The wax layer breaks up the surface so that the various layers of colour merge into each other almost iridescently and provide a reflective surface for the light illuminating the sculpture. Through the wax the sculpture‘s geometric forms become softer and blend into each other when seen by the observer. This means, that a subjective reality can arise in the inner eye of the viewer which is as malleable and changeable as warm wax.

However, in the case of Arche dark, earthy shades of red are more dominant giving the work the quality of gravity. In both works the observer‘s gaze is led in all directions symbolizing the ups and downs of life as well as uncertainty of its end - for whether existence continues after death is uncertain. 

The necessary precondition for a new and better world is the fall of the old one. Apparently the sculptor has given utopian fantasies expression here.


Dr. Maya Anna Rosalie Großmann
Skulpturenpark Waldfrieden Wuppertal, 2019


Translation: Robert Payne

I take material.

I give shape.